Behind the Screens: How We Built Our Auditoriums

Building a movie theatre sounds straightforward until you start thinking about the details. Every decision — from the rake angle of the seats to the thickness of the curtains — affects how a film looks and sounds. Here's how we approached it.

We worked with acoustic engineers for six months before a single seat was installed. The goal was simple: every seat should sound like the best seat. That meant treating each auditorium as a unique acoustic environment rather than applying a one-size-fits-all template. The walls use a combination of absorptive and diffusive panels arranged in patterns specific to each room's dimensions. The result is sound that's immersive without being overwhelming — you hear the film, not the room.

Laser projection was non-negotiable. Traditional lamp-based projectors lose brightness over time and require frequent calibration. Our laser systems deliver consistent color and brightness from the first screening to the thousandth. Each screen is a Stewart Filmscreen with a gain specifically matched to the projector throw distance and auditorium depth.

We tested over a dozen seat models before choosing. The winners had three things in common: generous width, proper lumbar support, and armrests that don't turn into territorial disputes. Every row has enough legroom that you never have to stand to let someone pass. Premium sections feature powered recliners with integrated cupholders and USB charging. Accessible seating was designed into the floor plan from day one — not added as an afterthought.

A place where the technology disappears and the movie takes over. That's always been the goal.